Interlude 004 is all about inclusivity/exclusivity: from podcasts that interview with inclusivity in mind to the global women’s march in January. Plus, “Nvr Pass” by previous Grrl on Grrl guest Emma with her band She/Her/Hers, and the poem “A Kind of Dying” by San Diego poet Felicia Williams.
Wanna submit your poetry and flash fiction to be featured in an Interlude episode? Shoot me an email!
All four members of the Fictitious Dishes (Taryn, Liz, Maggie, and Jacquie) join me on this episode of Grrl on Grrl to talk about whether or not to expect people to pay for their music, the possibilities of working with a producer, some conflicting messages from showgoers when Taryn’s husband Hugh (of Slum Summer) filled in for Liz, and double standards and confusion in feminism and music.
This is the first time I recorded more than 2 people on separate mics. It needs some work, but I definitely learned a lot and I have some goals to reach the level of quality I really want in the future. For now, I hope I fixed the levels enough in post that you can hear everybody well!
Grrl on Grrl is now back on its biweekly schedule. Are you excited? I’m excited. Relieved and excited. Thanks for listening!
There are so many good quotes in this, but here’s one: “What we’re doing when we exclude women from rock and roll, and from the sense of rebellion that rock and roll promises, is disallowing women that independent perspective. We’re never giving them the chance to think critically about the world, and about the systems that oppress them. When we take women out of the arts, and take them out of art’s ability to critique the way things are, we’re making sure that women keep swallowing the status quo, day after day, and it’s the status quo that keeps us down.”
In this quick episode, I give some updates on past Grrl on Grrl guests, including new albums and award nominations! Plus I plug a great podcast and a couple of articles about journalism and fake news, and a quick update on Backpage.com–which I talked about in Interlude Episode 001–and some organizations to check out in the wake up the shutdown. I also have the pleasure of talking over some ambient music created by Asher Mendel, because I felt weird having just my voice talking with no background. So uh, what do you think? Is it too distracting? Too gloomy? TELL ME WHAT YOU THINK.
Read the article and find its sources. Do the so-called experts quoted in the article even exist? If there are research articles cited, were they published by a legitimate journal? Because apparently there are publications out there where you can just PAY to have your article published. No peer review required.
Check what website it’s on. Does the rest of the site have an obvious political agenda? Are the other articles on the site bogus as shit?
Objectivity is dead, and I’m okay with it by Lewis Wallace: a radio journalist writes about why a call for journalistic neutrality comes from a place of privilege, journalism as its own form of activism, and other really great bits.
It happened, Backpage.com shut down their adult services section, putting many sex workers in dangerous positions.
Happy new year, folks, and welcome to episode #22 of Grrl on Grrl!
In this episode, you’ll hear Sarah Quintero of Spotlights, a sludgegaze band from New York. She and Mario, who you heard mentioned in a cut segment I included at the end of the last episode, met in San Diego, before moving to Brooklyn where they are now based. In summer of 2016, they toured with Refused and Deftones! You’ll hear more about that in the interview. We also talk about their goals with growing the band and the supportive music scene in New York.
The first episode of 2017 runs a bit longer at 53 minutes, but it’s totally worth it because you’ll get to hear not only Spotlights, but San Diego’s Sleeping People and Seattle-based band He Whose Ox Is Gored. Enjoy!
In this episode, Angie of Duping the Public and I talk about DTP’s songumentary series–which documents their songwriting, production, and recording process, lifting women up in a male-dominated industry, how soul-sucking “going pro” in any industry can be, and the strides women have made in the music scene.
Thank you so much to Angie for inviting me into the Duping the Public practice space for the interview. Thanks as always to Greg Guiliano of Wait Think Fast Productions! Editing, mixing, and mastering was done by me, June, this time, so don’t blame Gary for any mishaps in the episode. (On that note, if you have any comments or suggestions or any glaring errors I missed editing the episode, please let me know!)
I recorded and edited this episode yesterday but got stressed out about the election enough that I didn’t post. It seems pointless and meaningless to even put this up now, but I guess… life… goes on?
In this Interlude, you get to listen to a song off Blackberry Tongues latest EP put out in July, hear about Icelandic women’s protest about the unfair wage gap this past October, and a little bit about the Newsweek story on War on Women, which Grrl on Grrl listener Molly sent me.
Let’s build a Grrl on Grrl community! Start posting cool links, feminist resources, news stories, or anything else you’d think I or other Grrl on Grrl listeners will be interested. You can post them on our Facebook page, shoot me an email, or send a tweet! I might even mention you in future episodes!
Question of the month: How has your gender, class, and race affected your work environment? Shoot me an email at email@example.com or comment on Facebook or Twitter! I may share your thoughts on future episodes.
For episode 20, all three members of the self-proclaimed super queer, super slutty Oakland band Spray Tan–Andrea, Dorsey, and Lindsay–joined me online to talk about their experiences touring and staying safe as a queer band. We talk a bit about what came first–the punk or the queer?, how they determine when they play one of their more incendiary songs, and a bit of their songwriting process. (Hint: I wish I could be there.)
Trigger warning for use of queer slurs in reclaimed and un-reclaimed contexts.
I’m trying something new this week, inspired by the fact that uh, episode 20 is delayed. So here’s the very first Grrl on Grrl Interlude episode! In this short episode, I cover Grrl on Grrl news, upcoming album releases in October, and quotes from articles regarding the recent arrest of the Backpage CEO. Listen below, and don’t forget to check out the links to bands and articles mentioned as well.
Year 2 of Grrl on Grrl continues with episode 19 featuring Megan Liscomb of San Diego band Soft Lions. In this episode, Megan and I talk about working with a record label, insecurities as a live musician, and differences in objectification depending on your role in the band. Soft Lions is also a frequent participant of Monica Mendoza’s shows for GRRRL Independent Ladies, which you can hear more about on Monica’s episode of Grrl on Grrl.
Keep an ear out for news on their upcoming album to be released on Velvet Blue Records late October.
Find links to Soft Lions’ website and releases, along with information on the artists featured in the podcast, below. Thanks for listening!
[27:15] Changes in the past decade (ish) in the music scene
Treated differently when “just” singing versus also playing an instrument; more objectification
Pop singer culture; being eye candy
[28:45] QUESTION TO LISTENERS: How can I make Grrl on Grrl a safer, more gender-inclusive space?
Since the start of the podcast last year, I’ve made it my mission to make this project as gender-inclusive as possible. But I don’t think I’m doing the best job. How can I make Grrl on Grrl safer for trans men and women, nonbinary folks, and other underrepresented folks to be on the podcast? How can I change my language and mission statement, or anything else, to lift up all of our voices? If you have any ideas, suggestions, or critiques on how to make this podcast safer for guests, listeners, and featured artists, please shoot me an email at firstname.lastname@example.org or message me on Twitter or Facebook.
Thank you to Megan Liscomb for inviting me into her home!
Thanks as always to Gary Hankins, who had to deal with up and down levels for this episode. (INSIDER INFO: We had to move a couple of times during the interview, mostly to watch Megan’s adorable cat be a cat.)
And to Greg Guiliano of Wait Think Fast Productions for paying for audio hosting costs.