Dee Clement joins me over Skype to talk about her new project Lonely Bones. Why can’t Dee write any love songs? Why does she insist on writing songs while driving? And what’s up with Instagram? We talk about those questions and more!
Previously of Peachy Keene and Sullen Ray, Dee Clement has been playing music and writing songs for a good while. For Lonely Bones, she’s working with Ali Coyle and Javan Slagle who are helping her produce the album.
Thank you to Dee Clement for chatting with me and to all the artists for permission to use their song on the podcast. And as always, thanks to Glenn Greggs of Wait Think Fast Productions–check out his radio show every Tuesday at 9pm EST at WCOM!–and to Polish for use of their song “Drive” as the intro and outro music.
For this episode, Jenna Alonzo joined me over Skype after her tour with her band Frequency Within. Hopefully I’ll be able to get the whole band together for an interview in the future, but this episode is actually about her website SoCal Indie Musicians, which she uses as a platform to help herself and other bands promote themselves and book shows, either through her blog or one-on-one.
After you listen to the interview, scroll down a bit in these here show notes and check out all the blogs Jenna recommends to any DIY musician. You’ll also find links to SoCal Indie Musicians’ social media and her Facebook communities.
Thanks to Jenna Alonzo for joining me for this episode! And as always, thank you to Glenn Greggs of Wait Think Fast Production for being the stalwart financial support for the show. Don’t forget to check out their weekly radio show on WCOM, on Tuesdays at 9pm Eastern Time, for radio plays written by North Carolinian playwrights. The intro and outro song is “Drive” provided by Polish.
From the article: “I’ve gotten extremely used to being discredited, scoffed at, made fun of, told that I’m a bitch, that I’m crazy, that I’m delusional, that I’m a nobody, that what I think doesn’t matter, that my band doesn’t matter—I’ve been told all of these things by so many people, and I’m used to it. But I don’t believe it. So I refuse to allow myself to be treated that way, no matter what people say to me and how people treat me. And I’m not going to let my bandmates get treated that way. Absolutely not. I’ll never sit back and watch people that I care about get disrespected and treated like shit, and watch them feel bad and uncomfortable, and not do anything to help them. It’s just not going to happen.” — Hether Fortune
As far as books go, they get outdated quickly and a lot of them say the same things about the old music business. Everything relevant & new you can find as Blogs & on YouTube. I did, however, purchase Ari’s book “How to make it in the new music business” which is excellent so far and came out in December 2016. He’s very real and his writing alternates between using “he” and “she” making the reading experience more comfortable.
This episode of Grrl on Grrl features Aleisha and Alexis of San Diego “femme punk” band The Fresh Brunettes. Their bassist Paul was also in the room, but didn’t say much, as bassists are wont to do, and Fresh Brunettes’ dog mascot Cosmo also graced us with his presence.
Besides the amazing songs from Lisa Prank, Soft Lions, the Candelights, you’ll hear Alexis and Aleisha talk about preconceived notions of what a guitarist or drummer should look like, some inspiration for their songs, and what they appreciate when interacting with their audience.
Thank you as always to Glenn Greggs of Wait Think Fast Production for providing hosting costs, to Polish for providing their song “Drive” for the intro and outro music, and for the first time ever, to Adam Goron, producer of Chicago’s “premier” Star Trek podcast Space Lincoln, for helping me remove some crazy noise on one of the interview tracks. A true lifesaver!
You might be wondering where episode 26 is, but uh, just… it never existed. (It’ll come soon, I promise.)
For episode 27, I interviewed Oakland-based solo artist Diana Regan, who records and releases her music straight from her home! In the episode, we talk about the stories behind her songs and our process transposing and performing our songs in different instruments–in her case, ukulele to guitar; for me, ukulele to piano. We also touch on the Ghost Ship warehouse fire in Oakland last year, and how DIY spaces and communities like that saved Diana in her younger years.
Not-so-fun fact: I originally interviewed Diana in early 2016 but because of technical difficulties, I had to scrap the interview. Fortunately Diana was willing to sit down with me for a SECOND interview. Thanks to Diana for her patience!
Content Warning: We talk extensively about dealing with depression, and also have mentions of self-harm, addiction, and trauma.
As always, thank you so much to Glenn Greggs of Wait Think Fast Productions for providing audio hosting costs. You can check out Glenn’s show every Tuesday 9pm EST on WCOMFM, a public radio station in North Carolina that features radio plays by local playwrights. You can listen live on the website.
And of course, thank you so much to Diana Regan for sitting down with me (again!) and to Polish for providing the intro and outro music.
Welcome to episode 25 of Grrl on Grrl with Anna Levitt of San Diego folk band Crooked. In this episode we talk about the differences between classical violin and fiddle, gender at Anna’s alma mater Smith College and with babies, and the two different faces of her band Crooked.
Disclaimer/corrections on the portion about Smith College: During the interview we talk about how trans men are included in Smith, but it looks like that is not the case any longer. If you look at their gender inclusion policy on their site, they admit women (cis and trans), do not include trans men, and then have a complete non-answer for genderqueer and gender nonconforming individuals. This makes me pretty uncomfortable, and honestly, I’m not sure how to express my feelings on this. I’m definitely interested in how their policy will continue to evolve. What are your thoughts? Feel free to shoot me an email! I’d love to hear from you!
I got my first one-star rating on iTunes. I’m assuming it’s some sort of men’s rights activist, but who knows? If you wanna help the podcast rating out at all, please head on over to the podcast on iTunes and leave your thoughts and suggestions. I’m always excited to hear from you!
Thanks so much to Anna for inviting me into her home and picking some great artists and songs to feature in her episode!
And as always, thank you to everyone who checked in on me the last two weeks to see where the new episodes were, to Gary Hankins who tried his best to get rid of some of that electrical buzz in the recording and put the whole thing together, to Greg Guiliano of Wait Think Fast Productions for hosting costs, and to Polish for their song “Drive.”
Thanks as always to Gary Hankins who tried his best to get rid of some of that electrical buzz in the recording, and to Greg Guiliano of Wait Think Fast Productions for hosting costs.
Stefanie joined me online after Caustic Casanova’s 2016 tour to talk about their almost-comical bad luck streak during the first week of their tour, some tour tips, a bit about their record label Retro Futurist, and the difficult time and plain hard work she put in to recover from breaking *both* her wrists. I also bust out my trumpet playing story again, but this time to learn about Stefanie’s slight subterfuge when it came to finally playing the drums in high school.
Based in Washington D.C., Caustic Casanova has been described as “heavy metal B-52s” and other crossovers that usually involve the words “hard”, “heavy”, and “psychedelic.” They’ll be recording a new album starting in April, before going on yet another summer tour, so keep an eye out for tour dates. You do NOT want to miss them!
Interlude 004 is all about inclusivity/exclusivity: from podcasts that interview with inclusivity in mind to the global women’s march in January. Plus, “Nvr Pass” by previous Grrl on Grrl guest Emma with her band She/Her/Hers, and the poem “A Kind of Dying” by San Diego poet Felicia Williams.
Wanna submit your poetry and flash fiction to be featured in an Interlude episode? Shoot me an email!
All four members of the Fictitious Dishes (Taryn, Liz, Maggie, and Jacquie) join me on this episode of Grrl on Grrl to talk about whether or not to expect people to pay for their music, the possibilities of working with a producer, some conflicting messages from showgoers when Taryn’s husband Hugh (of Slum Summer) filled in for Liz, and double standards and confusion in feminism and music.
This is the first time I recorded more than 2 people on separate mics. It needs some work, but I definitely learned a lot and I have some goals to reach the level of quality I really want in the future. For now, I hope I fixed the levels enough in post that you can hear everybody well!
Grrl on Grrl is now back on its biweekly schedule. Are you excited? I’m excited. Relieved and excited. Thanks for listening!
There are so many good quotes in this, but here’s one: “What we’re doing when we exclude women from rock and roll, and from the sense of rebellion that rock and roll promises, is disallowing women that independent perspective. We’re never giving them the chance to think critically about the world, and about the systems that oppress them. When we take women out of the arts, and take them out of art’s ability to critique the way things are, we’re making sure that women keep swallowing the status quo, day after day, and it’s the status quo that keeps us down.”
In this quick episode, I give some updates on past Grrl on Grrl guests, including new albums and award nominations! Plus I plug a great podcast and a couple of articles about journalism and fake news, and a quick update on Backpage.com–which I talked about in Interlude Episode 001–and some organizations to check out in the wake up the shutdown. I also have the pleasure of talking over some ambient music created by Asher Mendel, because I felt weird having just my voice talking with no background. So uh, what do you think? Is it too distracting? Too gloomy? TELL ME WHAT YOU THINK.
Read the article and find its sources. Do the so-called experts quoted in the article even exist? If there are research articles cited, were they published by a legitimate journal? Because apparently there are publications out there where you can just PAY to have your article published. No peer review required.
Check what website it’s on. Does the rest of the site have an obvious political agenda? Are the other articles on the site bogus as shit?
Objectivity is dead, and I’m okay with it by Lewis Wallace: a radio journalist writes about why a call for journalistic neutrality comes from a place of privilege, journalism as its own form of activism, and other really great bits.
It happened, Backpage.com shut down their adult services section, putting many sex workers in dangerous positions.
Happy new year, folks, and welcome to episode #22 of Grrl on Grrl!
In this episode, you’ll hear Sarah Quintero of Spotlights, a sludgegaze band from New York. She and Mario, who you heard mentioned in a cut segment I included at the end of the last episode, met in San Diego, before moving to Brooklyn where they are now based. In summer of 2016, they toured with Refused and Deftones! You’ll hear more about that in the interview. We also talk about their goals with growing the band and the supportive music scene in New York.
The first episode of 2017 runs a bit longer at 53 minutes, but it’s totally worth it because you’ll get to hear not only Spotlights, but San Diego’s Sleeping People and Seattle-based band He Whose Ox Is Gored. Enjoy!